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All About Music

The Art of Music Mixing and Mastering: Tips and Tricks for a Perfect Sound

5/5/2023

 

Music mixing and mastering are crucial processes that can make or break the sound of your music. A well-mixed and mastered track can elevate your music to the next level and make it stand out from the crowd. In this article, we'll discuss some tips and tricks that can help you achieve the perfect sound for your music.

 Start with a Good Recording:
    The quality of the recording is the foundation of the mix. If you start with a poorly recorded track, it will be difficult to achieve a good mix. Make sure your recording is clean and free from any unwanted noise or distortion. You can use a high-quality microphone and preamp to get the best possible recording.

 Use EQ and Compression:
    EQ and compression are essential tools for music mixing and mastering. EQ can help you shape the frequency response of your tracks, while compression can help you control the dynamics and add punch to your mix. Use EQ to remove any unwanted frequencies and boost the ones that need it. Use compression to even out the levels of your tracks and add impact.

 Pay Attention to Levels:
    Balancing the levels of your tracks is crucial for a good mix. Make sure that no track is too loud or too quiet. Use volume faders to adjust the levels of your tracks and ensure they're sitting well in the mix. You can use a limiter to control the overall volume of your mix and avoid clipping.

 Use Reverb and Delay:
    Reverb and delay can add depth and dimension to your mix. Use reverb to create a sense of space and ambience, and use delay to create echoes and repeats. Use these effects sparingly and tastefully, and make sure they complement the music.

 Test on Different Systems:
    It's essential to test your mix on different playback systems, such as headphones, speakers, and car audio. This will help you ensure that your mix sounds good on all systems and that there are no issues with the frequency response.

Conclusion:
Mixing and mastering are critical processes that can take your music to the next level. Use these tips and tricks to create a well-balanced mix with good levels and a sense of space. Remember to test your mix on different playback systems to ensure that it sounds good everywhere. With practice and patience, you can achieve the perfect sound for your music.

What is a Linear Phase EQ?

23/2/2023

 
Back in the days, when Analog gears was the only option, linear phase wasn't possible, but today with modern technology we can use if needed a Linear Phase EQ, but what is it?

For an easier understanding let's imagine to EQ a sine wave
Picture
As you can see it start from zero then continue the full cicle.
If you use an eq in linear phase mode, the shape will change accordingly with the curve you are using, but the cycle will be the same. Will still start from zero and end to zero.

If you do the exact same eq but with a normal eq, you will have the same shape you had before, but with a different phase.

To have an idea on what a different phase is, just thake a look at the following picture

Picture
You can see here, the same sine we had before, and another one that seems to "start earlier". This is what a normal eq does, they just do not change the frequency response but also shift the phase.

So you may think linear phase eq are a better choice. But this is not true... it depends.

Linear Phase EQ are able to mantain the same phase, but with side effect, called "pre-ringing".
On certain sounds, it's not a problem while in others it's a big issue.

But what is pre-ringing?
It's a kind of echo that occour before the audio.
In the following image you can see on the right the original waveform, while on the left the waveform after a linear phase processing.
Picture
We don't have just a different waveform because of the EQ, but we also introduce this echo right before the sound.

Generally speaking my suggestion is to use normal eq and reach for linear phase processing only when you do some parallel processing that may introduce audible phase cancellation.

How to Master a song for Streaming Services

22/2/2023

 
You may have read on different places the loudness target for streaming services is -14db LUFS -1dbtp.
Let's start saying this is wrong for lots of reasons. This is why professionals doesn't master songs with these targets.

I made a video where i just not explain why, but i also show what professionals does, and why you should not aim for these wrong targets.
In the video i also made a crazy, but very interesting experiment. I made the loudest song in the world, then i released on Spotify. And things get very very interesting.

How to prepare a Song to be Mastered

7/2/2023

 
When the mix is done, you want your song to be mastered. But how should you export your mix for the best result?

(tl;dr at the end)

Speaking about peak levels, theoretically your max peak could be -0.1 because what matter is to have a clean signal with no clipping, anyway it's suggested to go lower, and since there are no drawbacks to lower the volume have the max peak at -6db it's a good choice.

Of course peak level is not the only setting you must care, but sound quality matters too.

When you export your mix, it's suggested to use 32bit floating point if possible, otherwise 24bit is good enough, no worries. Anyway i really suggest you to avoid 16bit, cause there are too much informations that will be lost.

What about Sample Rate? You may find suggestions, articles that say the higher the better, while that's technically correct, i made lots of tests in the past, and in the real world this doesn't really matter 44,1khz it's enough.
While mixing, it's importhant thought, to use oversampling on every process that introduce harmonic distortion, so plugins such compressors, saturators and clippers need to work on higher internal sample rate (oversampling) to remove aliasing and getting back with a clean signal.

Oversampling make obsolete the need to run the whole project at higher sample rate, last but not least your music at the end of the process will be converted at 44.1khz, because even on the streming services era it's a standard, and by the way 44.1khz means to have 22khz as higher frequency. Kids can ear up to 20khz, while adults around 15khz (it's a bit more complicated, but let's keep it simple) so 44.1khz sample rate already allow us to have available all the music content human can hear.

I know nerds out there would say that it's still better to go higher sample rate because of  Nyquist frequency.
Picture
If you filter at higher frequency the response on the 20khz may be flatter (it depend on the Nyquist filter and how the transition band is designed). And while this is technically true, very likely you will still need to downsample to 44.1k later, to distribute your music to streaming services (most of them don't accept anything different from 44.1k) and even if we can go higher, and we render with a very bad program that have a poor Nyquist filter, we would likely lose 2db at 21khz to 0,5 at 19khz. Can you really hear these differences?
I made my accurate tests in the past, the only difference in the analyzer were around -110db at the worst case, not really something we can feel.

Just a couple of suggestions:
I strongly suggest you to avoid any limiter on the mix bus, this may harm the mastering process.
Other kind of mixbus processing depends on your knowledge, if your song is mixed by a professional mixing engineer he know how and what to do, but if you are the one who mix your song, it's better ask to your mastering engineer what to keep and what to remove.
And here we come to my last suggestion:
When you hire an engineer, don't be afraid to make your questions, the more we talk, the better, don't worry, we don't eat artists and producers.... usually :)

TL;DR
Sample Rate: 44,1khz
Bit Rate: 32bit Floating Point
Max Peak: -6db
For any doubts talk to your mastering engineer


If you want your song to be mastered (or mixed) feel free to send me a mail at effettimusic[at]gmail.com

Reverb: How to use it

6/2/2023

 
Reverb is an essential tool in music production that can bring a sense of depth and space to a mix. While it's commonly used to make a mix sound natural, reverb can also be used in creative and unique ways to add interest and texture to a production. In this article, we'll explore some of the most innovative approaches to using reverb in music production.

Adding Depth with Reverb

One of the primary functions of reverb is to add depth and dimension to a mix. This is especially important in electronic and dance music, where a lot of the sounds are synthetic and lack natural depth. By adding a small amount of reverb, you can create a sense of space and make your tracks sound more immersive.

Creating a Sense of Space with Reverb

Another way to use reverb creatively is to create a sense of space. This can be especially effective in genres like ambient, chillout, and downtempo, where a sense of atmosphere is crucial. By adding reverb with longer decay times and lower wet/dry ratios, you can create a sense of spaciousness that makes the listener feel like they're in a large room or hall.


Creating Unique Effects with Reverb

One of the most exciting aspects of reverb is the ability to create unique and interesting effects. This can be achieved through the use of automation and other creative processes. For example, you can automate the reverb's parameters so that it changes over time, adding movement and interest to a mix. You can also experiment with different reverb algorithms and settings, such as gated reverb or reverse reverb, to create truly unique effects.

Conclusion
Reverb is a versatile and powerful tool in music production that can be used in creative and innovative ways to enhance the sound of a mix. Whether you're adding depth, creating a sense of space, or creating unique effects, there are countless possibilities with reverb. By exploring different techniques and approaches, you can find the perfect reverb settings to complement your music and take your productions to the next level.


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